{"id":16,"date":"2020-06-11T11:03:36","date_gmt":"2020-06-11T08:03:36","guid":{"rendered":"https:\/\/themes.muffingroup.com\/be\/artist3\/?page_id=16"},"modified":"2022-03-21T09:45:17","modified_gmt":"2022-03-21T07:45:17","slug":"proiecte","status":"publish","type":"page","link":"https:\/\/www.inreghin.ro\/marcel-naste\/proiecte\/","title":{"rendered":"Proiecte"},"content":{"rendered":"\t\t
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Proiecte\u00a0<\/span><\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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„Frumosul \u0219i comunicarea prin ART\u0102”<\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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… Aici \u0219i o parte din MINE…<\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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A r t i s t<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0 \u00a0Sunt Marcel Naste \u0219i ...<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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tr\u0103iesc \u00een Reghin<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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             „Eu sunt cel ce sunt… \u0218i lucrul m\u00e2inilor mele este povestea vie\u021bii de a fi \u0219i de a primi \u00een dar iubirea de a crea frumosul pentru a „lumina cromatic” universul culorilor… Multumesc Bunului Dumnezeu c\u0103 mi-a h\u0103r\u0103zit sa fiu un mic creator, ce pot s\u0103 ma joc printre particulele de praf, pentru a descoperi crea\u021bia… A\u0219a sunt eu, o mic\u0103 pulbere de praf ce se plimb\u0103 prin „nimicul” universului creat, pentu a fi \u00een ceea ce sunt \u0219i pentru a fi \u00een ceea ce a\u0219 putea s\u0103 fiu…”      <\/p>\n

                                                Marcel Naste<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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 \"Marea evadare sau r\u0103d\u0103cini spre cer!\"<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Motto: \u201eArtistul a dat la o parte valul iluziei, pentru a ajunge la adev\u0103r.\u201d (Vasile Mure\u015fan)<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 „Pe Marcel Naste, acum artist \u00een deplin\u0103tatea for\u0163e creatoare, l-am cunoscut cu ani \u00een urm\u0103, intrigat\u0103 la \u00eenceput, apoi fascinat\u0103 de pictura lui, care cre\u015ftea odat\u0103 cu t\u00e2n\u0103rul frumos la chip \u015fi la suflet, izbucnind apoteotic, dincolo de p\u00e2nz\u0103 \u015fi de griurile unui cer intim lucid, ori doar sfios la \u00eenceput, \u00een tu\u015fe sigure, apoi, de culoare viguroas\u0103, \u015fi categoric lamel\u0103ri de \u015fpaclu.
\u00cen mod deloc paradoxal, aceste observa\u0163ii, de natur\u0103 \u201etehnic\u0103\u201d pot fi extrapolate la via\u0163a cea de toate zilele a Omului Marcel Naste, rapid maturizat de o ritmul trepidant \u015fi activitatea aglomerat\u0103, responsabil\u0103, a t\u00e2n\u0103rului director de institu\u0163ie cultural reghinean\u0103 cu activitate debordant\u0103, cap de frumoas\u0103 familie, cu copii minuna\u0163i.<\/p>

Este Marcel Naste un artist cu personalitate lesne de recunoscut, este o marc\u0103, un brend. Dar, \u00een primul r\u00e2nd, este un lupt\u0103tor tenace, pe care nu l-am surprins niciodat\u0103 cu garda jos. E un pictor de excep\u0163ional talent, \u00een a c\u0103rui traiectorie artistic\u0103 am crezut \u00eenc\u0103 de la \u00eenceput \u015fi m-am sim\u0163it onorat\u0103 \u201es\u0103 pun um\u0103rul\u201d, sprijinit\u0103 fiind, la r\u00e2ndul meu, de Omul Cet\u0103\u0163ii, care a r\u0103spuns mereu \u201ePrezent!\u201d la chem\u0103rile pe care I le-am transmis \u00een timp.\u00a0 …<\/span><\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0… Marcel Naste este artistul rom\u00e2n care a introdus, \u00een premier\u0103, icoana la Consulatul General al Rom\u00e2niei la Bonn, a fost invitat s\u0103 expun\u0103 la deschiderea Bibliotecii Na\u0163ionale din Bucure\u015fti \u015fi la Galeria de Art\u0103 \u201eIon Irimescu\u201d din municipiul Suceava \u2013 o expozi\u0163ie de pictur\u0103 cu genericul \u201eSimbol, Credin\u0163\u0103 \u015fi Art\u0103\u201d, unde \u00ee\u015fi etala icoanele \u015fi prapurii (combin\u00e2nd culorile de ulei cu foi\u0163a de aur, \u00eentr-o suprapunere de simboluri), demonstr\u00e2nd c\u0103 a reu\u015fit s\u0103-\u015fi contureze un stil propriu, considerat fiind deja \u201ev\u00e2rful genera\u0163iei tinere mure\u015fene\u201d. Lucr\u0103rile t\u00e2n\u0103rului artist (icoanele \u015fi prapurii – care au \u201eo fireasc\u0103 consubstan\u0163ialitate cu celelalte lucr\u0103ri religioase\u201d) sunt, afirma atunci, la Suceava, directorul Culturii mure\u015fene, scriitorul Nicolae B\u0103ciu\u0163, \u201easimilabile rug\u0103ciunii\u201d.
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eTablourile sale din ciclul abstract \u015fi nuduri sunt complexe simfonii cromatice amintind de concertele de jazz, atunci c\u00e2nd solista-linie sau pat\u0103-iese \u00een fa\u0163\u0103. Pictura lui Marcel Naste nu reprezint\u0103 sentimente trec\u0103toare, are acoperire \u00een cunoa\u015ftere, exprimat\u0103 prin organizare, cromatic\u0103 \u015fi armonie. Artistul practic\u0103 o pictur\u0103 de limbaj, nu de motiv, acesta fiind numai un pretext.\u201d \u2013 observa, judicios, mai v\u00e2rstnicul confrate Vasile Mure\u015fan \u2013 la r\u00e2ndul s\u0103u artist de remarcabil\u0103 altitudine.\u00a0<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 – \u201eDiscursul plastic este unul armonic, rostit cursiv, f\u0103r\u0103 sincope. Concretul \u015fi abstractul, realitatea \u015fi fic\u0163iunea, figurativul \u015fi nonfigurativul, perechi antinomice, se \u00eempletesc armonios \u015fi transmit empatic tr\u0103irile \u015fi sentimentele artistului. Pendul\u00e2nd \u00eentre concret \u015fi abstract, \u00eentre cerebral \u015fi spontan, \u00eentre ra\u0163ional \u015fi ira\u0163ional, artistul se exprim\u0103 coerent \u015fi dovede\u015fte o foarte temeinic\u0103 st\u0103p\u00e2nire a mijloacelor de expresie, compozi\u0163ie, culoare, totul pe fondul unor armonii consonante \u015fi al unor forme plastice reduse la esen\u0163\u0103. \u00cen tablourile lui Marcel Naste se \u00eent\u00e2lnesc trasee amintind de o logic\u0103 obi\u015fnuit\u0103 a formelor – expresia energiei creatoare de factur\u0103 intelectual\u0103, \u00eempletite cu trasee spontane, imprevizibile, \u0163in\u00e2nd de hazard, amintind de Action-painting \u201d.<\/p>

\u00centr-adev\u0103r!
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u201e\u00cen psihanaliz\u0103 se consider\u0103 c\u0103 nuditatea \u015fi reprezentarea ei sunt expresia dorin\u0163elor de demascare \u015fi de punere \u00een valoare a adev\u0103ratei personalit\u0103\u0163i.\u201d \u2013 reamintea Vasile Mure\u015fan. Nu tocmai! \u2013 a\u015f zice eu. Nu cred c\u0103 psihanaliza a epuizat tot ce se poate afirma despre tr\u0103irile noastre. Marcel a pictat \u015fi \u201eNuduri\u201d. \u00cen acele tablouri \u2013 ca ni\u015fte \u201eaburi de femeie roz\u201d, parc\u0103 -, eu am avut senza\u0163ia c\u0103 artistul mai degrab\u0103 sublimeaz\u0103 realul, ca \u00eentr-un proces chimic \u2013 ca o detoxifiere, nu neap\u0103rat ca o lep\u0103dare de carnal, retras \u00een proiec\u0163ie. Fiindc\u0103, \u00een percep\u0163ia unui om sensibil, \u00een general, nu doar a unui artist, \u00eentre real \u015fi imaginar grani\u0163a este extrem de sub\u0163ire, c\u00e2t un fir de iarb\u0103…\u00a0<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mariana cristescu<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0 \u00a0 \u00a0 \u00a0<\/span><\/span>… Eu sunt mica firmitut\u0103 de praf, care \u00eencearc\u0103 s\u0103 se descopere pe sine,\u00a0 \u00een acest neant frumos al universului, \u0219i sunt cel pe care prin autocunoa\u0219tere m\u0103 \u00eemp\u0103rt\u0103\u0219esc, prin art\u0103, tuturor celor care \u0219tiu s\u0103 priveasc\u0103 frumosul creat …<\/h4>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Arta m-a fascinat prin complexitatea ei \u015fi datorit\u0103 acestui lucru am \u00een\u0163eles c\u0103 forma eului meu este recunoa\u015fterea de sine \u015fi dorin\u0163a de manifestare, a\u015fa c\u0103, am trecut la fapte \u015fi am parcurs \u00een dumul artistic diferite forme de exprimare.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Marcel Naste<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Naste Marcel<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 … „Este un om frumos \u015fi la chip, \u015fi la suflet, cum spuneam.<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 S-a n\u0103scut \u00een ziua de 3 martie 1981, la Reghin. Este absolvent al Liceul de Art\u0103 din T\u00e2rgu-Mure\u015f, specialitatea pictur\u0103, \u00een anul 1999, absolvent al Facult\u0103\u0163ii de Teologie Ortodox\u0103, sec\u0163ia Teologie Patrimoniu Cultural, Pictur\u0103 Bisericeasc\u0103, Iconografie \u015fi Restaurare din Cluj-Napoca, \u015fi absolvent al Institutului de Art\u0103 Vizual\u0103 \u201eIon Andreescu\u201d; membru al Asocia\u021biei Arti\u015ftilor Plastici din Mure\u015f, din anul 2006, \u015fi membru fondator al grupului de art\u0103 religioas\u0103 \u201eDeisis\u201d din T\u00e2rgu Mure\u015f.<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A organizat expozi\u0163ii personale la: Muzeul Etnografic Reghin (2003), Casa de Cultur\u0103 \u201eGeorge Enescu\u201d din Reghin (2004 – 2005), B.C. R. Central T\u00e2rgu-Mure\u015f (2006), Studioul de Radio T\u00e2rgu-Mure\u015f (2006), Muzeul de Istorie Sighi\u015foara (2006), Sala \u201eTonitza\u201d a Hotelului Continental din T\u00e2rgu-Mure\u015f, \u00een cadrul amplei manifest\u0103ri \u201ePun\u0163i de lumin\u0103\u201d, Galeria de art\u0103 a cotidianului \u201eCuv\u00e2ntul liber\u201d din T\u00e2rgu-Mure\u015f.<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0A participat \u00een expozi\u0163ii colective la Liceul de Art\u0103 (1996 -1999), Casa de Cultur\u0103 \u201eEugen Nicoar\u0103\u201d Reghin (1998), Muzeul etnografic Reghin (2002, 2006), Expo Transilvania Cluj-Napoca (2005), Camera de Comer\u0163 R\u00e2mnicu -V\u00e2lcea (2005), Facultatea de Teologie Ortodox\u0103 Alba-Iulia (2006), Turda (2006). A participat la tabere de pictur\u0103 \u00een localit\u0103\u0163ile Deda, Sighi\u015foara, Turda, L\u0103pu\u015fna \u015fi Reghin. Este membru al Asocia\u0163iei Arti\u015fti\u015ftilor Plastici Mure\u015f din anul 2006. A fost prezentat \u00een presa local\u0103, na\u0163ional\u0103 \u015fi interna\u0163ional\u0103: \u201eCuv\u00e2ntul liber\u201d, \u201e24 ore mure\u015fene\u201d, ,,Punctul\u201d,T\u00e2rgu-Mure\u015f, Certitudinea (Bucure\u015fti), \u201eMelidonium\u201d (Roman), \u201eConfluen\u0163e literare\u201d (Cluj-Napoca), \u201eClipa\u201d (Anaheim, California), \u00een Australia, la Radio T\u00e2rgu-Mure\u015f, Televiziunea T\u00e2rgu-Mure\u015f \u015fi TV Reghin.
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A ob\u0163inut diploma \u201eSuperlative Culturale\u201d 2005, oferit\u0103 de Studioul de Radio T\u00e2rgu-Mure\u015f, Diploma de Execelen\u0163\u0103 (aniversar\u0103, 2016) \u015fi Diploma EXEMPLARIUM (2017) ale \u201ePun\u0163ilor de lumin\u0103\u201d.
\u00cencep\u00e2nd din 2008 p\u00e2n\u0103 \u00een 2013, a fost consilier la Direc\u0163ia pentru Cultur\u0103 \u015fi Patrimoniu Mure\u015f, din 2012 director al casei de Cultura a Tineretului din Reghin, din 2018 \u0219ef birou la Casa de Cultur\u0103 \u201eEugen Nicoar\u0103\u201d din Reghin \u0219i \u00een prezent director al Casei de Cultur\u0103 a Studen\u021bilor din T\u00e2rgu Mure\u0219.<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00cen toamna anului 2015, Marcel Naste \u015fi-a expus lucr\u0103rile \u00een Italia, la Milano (trei nuduri \u015fi o lucrare modern abstract\u0103) \u015fi la Roma (o expozi\u0163ie cu tem\u0103 religioas\u0103 cre\u015ftin\u0103 – Arhanghelul Mihail). Ca urmare a particip\u0103rii la \u201eBienala de la Tivoli\u201d, desf\u0103\u015furat\u0103 \u015fi competi\u0163ional, \u00een perioada 9-17 octombrie 2015, sub genericul \u201eDesignul \u015fi arhitectura artelor\u201d, unde s-au reunit arti\u015fti de renume interna\u0163ional din domeniul picturii \u015fi al sculpturii \u015fi unde au fost accepta\u0163i doar doi rom\u00e2ni: el \u015fi suprarealistul clujean Ovidiu Avram, Marcel Naste a ob\u0163inut o men\u0163iune. Succesul de la Milano i-a deschis por\u0163ile Romei, reprezent\u00e2nd Rom\u00e2nia, \u00een perioada 25-30 noiembrie 2015, la expozi\u0163ia colectiv\u0103 itinerant\u0103 de la Casa San Bernardo \u015fi Aba\u0163ia \u201eTre Fontane\u201d, avizat\u0103 \u015fi revizuit\u0103 de Edarcom Europa, sub ochiul critic al fiului lui Salvador Dali \u2013 Jose Van Roy Dali.<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Ar fi multe de spus despre Marcel Naste, inclusiv despre activitatea sa ca director al Casei de Cultur\u0103 \u201eGeorge Enescu\u201d a municipiului Reghin, unde se remarc\u0103 un reviriment d\u0103t\u0103tor de speran\u0163e prin punerea \u00een oper\u0103 a unor proiecte capacit\u00e2nd interesul unor for\u0163e culturale din prima linie dar \u015fi a publicului spectator, din totdeauna iubitor de frumos \u015fi de cunoa\u015ftere.
Marcel Naste este el \u00eensu\u015fi o institu\u0163ie.<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Arta \u00eenseamn\u0103 Frumuse\u0163e \u015fi Adev\u0103r. Frumuse\u0163ea \u00eenseamn\u0103 Credin\u0163\u0103 \u015fi Speran\u0163\u0103. Credin\u0163\u0103 \u00een tine, \u00een oameni, dar mai ales \u00een Dumnezeu. Dumnezeu e Iubire. Dac\u0103 dragoste nu e, nimic nu e. Dar c\u00e2nd exist\u0103 Iubire, exist\u0103 Dumnezeu, \u015fi atunci exist\u0103 Frumosul Sacru, deci Echilibrul at\u00e2t de necesar Clipei! Marea evadare \u00eenseamn\u0103 r\u0103d\u0103cini spre cer!”<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0MARIANA CRISTESCU…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Proiecte cultural-artistice<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Icoane pe sticl\u0103<\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Icoana pe sticl\u0103 \u2013 proiect cu 12 ferestre \u00eentr-un concept nou intitulat \u201cicoana din fereastr\u0103\u201d; Proiectul \u201ccrucea din fereastr\u0103\u201d tot 12 ferestre; Proiectul \u201cLumina crucii\u201d;\u00a0<\/span><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Tab\u0103ra de la Gledin(Monor),\u00a0\u00a0Proiectul Cultural\u00a0\u201eLumina Crucii\u201d<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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icoan\u0103 pe sticl\u0103-ferestre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a018-26 iulie 2013 perioada \u00een care Centrul Cultural Sf\u00e2ntul Pahomie de la Gledin devine spa\u0163iu cultural important\u00a0 g\u0103zduind tab\u0103ra de piuctur\u0103 cu genericul \u201eLumina Crucii\u201d. Tab\u0103r\u0103 cu at\u00e2t mai important\u0103 cu c\u00e2t se prezint\u0103 a fi al treilea mare proiect cultrural iconografic, precedat de cel de la Castelul regal de v\u00e2n\u0103toare, de la L\u0103pu\u015fna, \u00een cadrul m\u0103n\u0103stiri cu hramul \u201eSf. Nicolae\u201d \u015fi cel de la „M\u0103n\u0103stirea Doamnei”, din Topli\u0163a, proiecte care au avut un mare r\u0103sunet \u00een \u0163ar\u0103 \u015fi \u00een str\u0103in\u0103tate, vizit\u00e2nt at\u00e2t cele mai importante centre expozi\u0163ionale din \u0163ar\u0103 c\u00e2t \u015fi ie\u015find \u00een c\u00e2teva loca\u0163ii europene.\u00a0 Imaginea celor dou\u0103 proiecte culturale intitulate \u201eIcoana din Fereastr\u0103\u201d \u015fi \u201eCrucea din Fereastr\u0103\u201d au ridicat foarte sus nivelul de \u00een\u0163elegere a icoanei pe sticl\u0103. Afirm\u00e2ndu-se \u00eentr-un registru amplu, a\u015fa cum era \u015fi firesc, ca urm\u0103torul proiect de anvergur\u0103 s\u0103 nu dezam\u0103geasc\u0103, \u0219i iat\u0103 ca \u201eLumina Crucii\u201d vine s\u0103 \u00eent\u0103reasc\u0103 certitudinea de a mai face \u00eenc\u0103 un pas spre Divinitate. Complexitatea, unitatea, creomatica, tipologia registrului panotant, c\u00e2t \u015fi originalitatea vin s\u0103 concretizeze \u015fi s\u0103 dea un plus de calitate \u0219i identitate \u00een ceea ce reprezint\u0103 compozi\u021biile, \u201eFerestrele\u201d au devenit, de aceast\u0103 dat\u0103, importate dogme biblice \u015fi adev\u0103rate opere de art\u0103 d\u00e2ndu-i posibilitatea icoanei s\u0103 se manifeste \u00eentr-un registru amplu \u015fi diferit, cre\u00e2nd o adev\u0103rat\u0103 poveste iconografic\u0103, dogmatic\u0103 cu o \u00eenv\u0103\u0163\u0103tur\u0103 \u015fi \u00eenc\u0103rc\u0103tur\u0103 biblic\u0103.\u00a0 Privirea lor nu ne limiteaz\u0103 doar la un registreu \u015fi un spa\u0163iu material, sau la un obiect cu reprezenta\u0163ii iconografice, dep\u0103\u015find acest registru proiect\u00e2ndu-se spre un spa\u0163iu ireal, transfigurat, transcedental solicit\u00e2ndu-l pe privitor spre a identifica povestea, g\u00e2ndirea \u015fi de ce nu sentimentul crea\u0163iei \u015fi al manifest\u0103rii lui, \u00een\u0103l\u0163\u00e2ndu-se pe sine prin ochiul divinit\u0103\u0163ii, al imaginii create sub forma „ferestrei spre cer”, prin care Dumnezeu se uit\u0103 spre noi \u015fi noi \u00eel c\u0103ut\u0103m pe Dumnezeu.\u00a0 Privirea acesui proiect, se identific\u0103, cu at\u00e2t mai mult cu genericul lui, cu c\u00e2t inclusiv tematica abordat\u0103 construie\u015fte un drum al crucii, al \u00een\u0103l\u0163\u0103rii. Registrele compozi\u0163ionale nu sunt puse la \u00eent\u00e2mplare ci reprezint\u0103 adev\u0103rate sc\u0103ri ierarhice spre divinitate. Ca de exemplu \u00eenceputul vine de fiecare dat\u0103 din lumea material\u0103, fireasc\u0103, de la ml\u0103di\u0163a creatoare, Adam \u015fi Eva, centra\u0163i de arborele p\u0103catului \u015fi de mirificul viclean, transform\u00e2ndu-se \u00een registrul superior, \u00een crucea\u00a0 identificat\u0103 de pomul vie\u0163i.\u00a0 Secunda\u0163i de Constantin \u015fi mama Elena, cei care au g\u0103sit \u015fi au venerat simbolul crdin\u0163ei, \u201eCrucea\u201d, \u015fi supraveghea\u0163i de adev\u0103ratul \u00eenv\u0103\u0163\u0103tor al credin\u0163ei,\u201eIisus Htristos\u201d, secondat de Petru \u015fi Pavel, piatr\u0103 de temelie a Bisericii cre\u015ftine. \u015ei a\u015fa cum era firesc cea mai \u00eenalt\u0103 pat\u0103 de culoare vine cu \u00eenv\u0103luirea suprema\u0163iei identificat\u0103 prin \u201eSf\u00e2nta Treime\u201d, plan\u00e2nd si cre\u00e2nd o adev\u0103rat\u0103 sfer\u0103, (aureol\u0103), a protec\u0163iei asupra omenirii \u015fi binecuv\u00e2nt\u0103rii lucr\u0103rii harice.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Un alt registru tematic\u00a0 se identific\u0103 cu\u00a0 buna vestire \u015fi masa altarului, al jertfei supreme, scen\u0103 suprapus\u0103 de na\u015fterea lui Hristos, apoi botezul M\u00e2nrtuitorului \u015fi iat\u0103, iar\u0103\u015fi \u201eSf. Treime\u201d , care binecuv\u00e2nteaz\u0103 \u015fi \u00eent\u0103re\u015fte\u00a0 lucrarea m\u00e2ntuitoare.\u00a0 Sau Adam \u015fi Eva, centra\u0163i de Preacurata Maic\u0103 a Domnului cu Emanuel \u00een bra\u0163e, \u0163inundu-l la piep, \u00een dreptul inimii, secondat\u0103 de Arhanghelii Mihail \u015fi Gavriil, \u015fi planul din registrul superior, Sf\u00e2nta Treime, d\u0103ruindu-i Maicii coroana regalit\u0103\u0163ii supreme. Scen\u0103 sintetizat\u0103 \u00eentr-un registru compact \u015fi amplu al „\u00cencoron\u0103rii Maoicii Domnului de c\u0103tre Sf. Treime” \u015fi de ce nu \u00eemplinirea poruncilor vechiului testament, de la cea\u0163ia lumii \u015fi p\u00e2n\u0103 la ridicarea omului la rangul m\u00e2ntuitii prin zdrobirea p\u0103catului str\u0103mo\u015fesc \u015fi prin jertfa suprem\u0103 a Fiului. Toate aceste proiecte au fost ini\u021biate \u0219i coordonate de artistul plastic Marcel Naste, dovedindu-se din nou a fi foarte ingenios, creativ \u015fi unic \u00een ceea ce prive\u015fte tematica \u015fi amploarea compozi\u0163ional\u0103, cu o simbolistic\u0103 cople\u015fitoiare, pun\u00e2ndu-l pe privitor la treab\u0103, la deslu\u015firea simbolurilor \u015fi mesajului iconografic \u2013 dogmatic.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Icoane pe lemn<\/span><\/h2>

\u201e<\/em>\u0395\u03b9\u03ba\u03bf\u03bd <\/em>[eikon]\u201d (chip) a lui Dumnezeu, asem\u0103narea cu Dumnezeu,<\/em><\/p>

Icoana<\/strong> (gr. \u03b5\u03b9\u03ba\u03bf\u03bd = chip, reprezentare) este, \u00een \u00een\u0163elegerea cre\u015ftinismului o imagine sacr\u0103, \u00een dou\u0103 dimensiuni, care reprezint\u0103 pe Iisus Hristos<\/a>, pe Maica Domnului<\/a> sau un sf\u00e2nt.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Icoana pe lemn este o parte complex\u0103 \u0219i profund\u0103 a interiorului creat, este forma care \u00eembin\u0103 universul cu credin\u021ba prin toat\u0103 complexitatea lui \u0219i este obiectul cunoa\u0219terii \u0219i al recunoa\u0219terii lui Dumnmezeu. Icoana este parte creat\u0103 a necreatului prin justapunerea imaginii simbol si al tuturor elementelor de peste frumosul creat. Icoana, este fereastra desav\u00e2r\u0219irii noastre \u0219i este istoria biblic\u0103 realizat\u0103 \u00een culorile recunoa\u0219terii sale. Icoana, este biblia zugravit\u0103 de scriitorii de obraz\u0103 \u0219i este\u00a0 m\u0103rturisirea credin\u021bei prin rug\u0103ciune, imagine \u0219i fapte bune.<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Simbolul ferestrelor spre cer se deschid prin aplecarea noastra in fata imaginii iconice si \u00eengenunchierea sufletului nostru pentru smerenia recuno\u0219terii prin rug\u0103ciune.\u00a0<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Icoana pe lemn este temelia credi\u021bei \u0219i universul cuno\u0219terii prin simbolurile materialitatii ei.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Pictur\u0103 modern\u0103 „Nuduri”<\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Proiectul Nuduri –\u00a0 nuduri \u00eentr-o manier\u0103 modern\u0103; \u201eForme autohtone\u00a0 de comunicare esoteric\u0103 cu Divinitatea\u201d;<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201eNuduri\u201d<\/em><\/p>

„… Discursul plastic este unul armonic rostit cursiv f\u0103r\u0103 sincope. Concretul \u015fi abstractul, realitatea \u015fi fic\u0163iunea, figurativul \u015fi nonfigurativul perechi antinomice se \u00eempletesc armonios \u015fi transmit empatic tr\u0103irile \u015fi sentimentele artistului. Pendul\u00e2nd \u00eentre concret\u00a0 \u015fi abstract, \u00eentre cerebral \u015fi spontan, \u00eentre ra\u0163ional \u015fi ira\u0163ional artistul se exprim\u0103 coerent \u015fi dovede\u015fte o foarte temeinic\u0103 st\u0103p\u00e2nire a mijloacelor de expresie, compozi\u0163ie, culoare totul pe fondul unor armonii consonante \u015fi a unor forme plastice reduse la esen\u0163\u0103.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0… Scriitura grafic\u0103 dezinvolt\u0103 leag\u0103 suprafe\u0163ele picturale \u015fi scoate \u00een eviden\u0163\u0103 esen\u0163ialul. Artistul practic\u0103 o pictur\u0103 de limbaj nu de motiv, acesta fiind numai un pretext… Tu\u015fe viguroase \u00een pensul\u0103 \u015fi \u015fpaclu construiesc figura pe fondul rafinat vibrat \u00een griuri colorate. Aceste realiz\u0103ri ne amintesc prin cromatic\u0103 \u015fi prin rafinament de Nicolas De Stael, Matisse\u00a0 \u015fi de rom\u00e2nii Vasile Grigore, Adrian Chira. . .\u00a0 Tandre \u015fi melodice formele se \u00eempletesc \u00een subtile armonii cromatice cu grafismul dezinvolt indic\u00e2nd un amplu registru de st\u0103ri \u015fi forme de expresie. Numeroasele mijloace tehnice utilizate permit o bogat\u0103 \u015fi spumat\u0103 exprimare plastic\u0103. Lucrate \u00een tehnic\u0103 mixt\u0103 acril, \u015fprei, past\u0103 de relief \u015fi culori vinilice modelate \u00een pensul\u0103 \u015fi \u015fpaclu, \u00een tu\u015fe largi scriituri fine \u015fi dripping. . . nudurile sunt complexe simfonii cromatice amintind de concertele de jazz atunci c\u00e2nd solista linie sau pat\u0103 iese \u00een fa\u0163\u0103. ”\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mure\u015fan Vasile<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Pictur\u0103 pe zid<\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Monumentalitatea \u0219i forma de exprimare pe suprafe\u021be mari, este mereu o provocare \u0219i un prilej de a inova \u0219i de a crea frumosul \u00eentr-un context ofertant.<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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